【《武梁祠:中国古代画像艺术思想性》,柳杨、岑河译,北京:生活·读书、新知三联书店,2006年】
[30]《汉书》卷二十二,1065页。关于这首诗,参见WuHung,TheWuLiangShrine:TheIdealogyofEarlyChinesePictorialArt,p.77;TizianaLippiello(李集雅),AuspiciousOmensandMiraclesinAncientChina:Han,ThreeKingdoms,andSixDynasties,Nettetal,Gemany:SteylerVerlag,2001,p.76.
[31]《宋书》卷二十八,第813、851、853页。TizianaLippiello,AuspiciousOmensandMiraclesinAncientChina:Han,ThreeKingdoms,andSixDynasties,p.102。另参见WuHung,TheWuLiangShrine:TheIdealogyofEarlyChinesePictorialArt,p.240,提到在2世纪个石庙里出现这些预言。
[32]JackL.Dull,“AHistoricalIntroductiontoApocryphal(ch’an-wei)TextsoftheHanDynasty.”PhDdiss.,UniversityofWashington,1966.HansBielenstein,“HanPortentsandPrognosticatis.”HowardWechsler,OfferingsofJadeandSilk:RitualandSymbolintheLegitimationoftheT’angDynasty,pp.55—77.Mu-chouPoo,InSearchofPersonalWelfare:AViewofAncientChineseReligion,Albany,NY:SUNYPress,1998,pp.152—56【蒲慕洲《追寻己之福:中国古代信仰世界》,上海:上海古籍出版社,2007年】.MartinKern,“ReligiousAnxietyandPoliticalInterestinWesternHanOmenInterpretation:TheCaseoftheHanWudiPeriod(141—87BC).”
[33]《汉书》卷三十,1773页。关于唐代怀疑主义者,参见HowardWechsler,OfferingsofJadeandSilk:RitualandSymbolintheLegitimationoftheT’angDynasty,p.60。关于王安石,参见DouglasEdwardSkonicki,“Cosmos,StateandSociety:Song
请关闭浏览器阅读模式后查看本章节,否则可能部分章节内容会丢失。